A retired Senior Executive of State Bank of India, Brahmasri T S Balakrishna Sastrigal started learning the wide spectrum of fundamentals required for performing Harikatha at the very tender age of 8 under the guidance of his father, himself a doyen in Puranic Upanyasakams called Brahmasri Sambamoorthi Ganapaadigal. The training included Vedas, Puranas, Sastras, Karnatic Music, and Multiple Languages like Tamil, Telugu, Sanskrit, Malayalam, Kanada and English.
Being a bank employee his virtual induction to performing Harikatha was initiated at the age of 16 by his father in law, himself an exponent in 18 Puranaas called Srivatsa Somadeva Sarama. Spanning over almost 7 decades, the service Brahmashri Sastrigal rendered to the society through his sole stirring Musical Discourses was immense.
His repertoire was spontaneous yet comprehensive, down to earth yet profound, innovative yet authentic, creative thusfresh. His audience felt as though they were literally transported to Ayodhya or Ashoka Vana or Asthinapura or to the battle field of Kurukshetra through his extremely sensitive and dramatic discription of the sequences of Ramayana and Mahabaratha with a reverberating voice and lilting music. While his imaginative unfurling of each of the characters in any epic provided the audience an easy access to truth and reality, his uncanny humorous interludes not only made them laugh their heart out but also think after they laughed.
His portrayals ranged from Valimiki and Kamba Ramayanam, Mahabharatham, Srimad Bhagawatham, Devi Bhagawatham, Skaandham, Naaraayaaneeyam, Naayanmargal charitham and above all his master piece – Thyagaja Charitham. He was a legend in the comprehension of Thyagaraja Krithis and therefore an easy reference point for all the Sangeetha Vidwans who wished to handle any aboorva krithi of Thyagaraja Swamigal. Infact, Brahmashri Sastrigal went on to conceive, design and perform his own version of Ramakatha choreographed with appropriate Thyagaraja krithis popularly known as Thyagaraja Ramayanam. While the great saint Thyagaraja did not himself wrote Ramayana, this Thyagara Ramayana was out and out the brain child of Brahmashri Sastrigal – his method of saluting the first among the Musical Trinities.